The Editor’s Rant: Issue #19

by Michael D. Pederson

 

Ah, summer. As I finish production on this issue, I’m right in the middle of my end-of-spring convention rush. For me, March is StellarCon (one day I hope to try LunaCon instead) followed rapidly by a month of panic trying to get RavenCon up and running. Then the one-two punch of Balticon and ConCarolinas on sequential weekends. With Balticon running four days it makes the turnaround even more hectic.

And then… Summer.

I’m not a huge fan of summer (generally speaking). I prefer cool days to the hot muggy east coast summers we get around here. I’ve never seen the appeal of the beach, I’ve always preferred the mountains. When I was young I always found myself looking forward to school starting up again so that I could see my friends. Now though, I find myself enjoying the lazy days away from conventions. Yes, I love being a diehard con goer but even I need a break once in a while.

And there are plenty of summertime conventions that I could be attending. Most of these though would require extra travel and/or expense. By the time June rolls around I’ve pretty much exhausted my supply of local cons until October. I had originally been expecting to be co-chairing the NASFiC this summer but my schedule has since forced me to resign. So here I am, enjoying my summer!

But enough about me… How about some info on the zine? I’m very excited to have a story from Lawrence Schoen this issue. I don’t often run reprints but when Lawrence offered me a chance to reprint his Hugo-nominated short story “The Moment,” I jumped at it. We were lucky enough to have a Frank Wu cover the summer that he won his first Hugo; I’m hoping that Lawrence’s story gets the same kind of mojo.

In addition to a Hugo nominee, we’re also bringing back comics by Robert Kauffmann and finishing out the run of Rob Balder and Dan Fahs’ strip “BelchBurger.” Last issue we introduced new artist Denny Marshall. He’s back again this month and shows off some poetry chops as well. Enjoy!

 

Con Review: StellarCon 34

stellarcon34by Michael D. Pederson

 

StellarCon 34
March 5–7, 2010
High Point, North Carolina

This year’s StellarCon was something of a letdown. Problems started early. Guest invitations weren’t sent out until a month before the convention and my schedule wasn’t sent to me until two days before the convention (with a note saying that some panels were still in need of panelists). This might explain why there seemed to be far fewer programming guests than in years past, as well as fewer panels to attend. That’s a true shame because StellarCon has always put together an extremely good programming grid. In addition to having fewer panels to choose from, the organization was horrible. Information on the pocket program seemed to be randomly listed; believe me, we tried to make sense of them but activities weren’t grouped by times, rooms, genre or alphabetically. According to the pocket program, there was one panelist who was supposed to be in three places at the same time. It made for a very confusing weekend.

That’s not to say that there weren’t a few highlights. StellarCon booked a trio of Star Wars authors as their main Guests of Honor—Aaron Allston, Michael Stackpole and Timothy Zahn—and the three were highly visible and very accessible all weekend. The guest roster was rounded out by Doug Chaffee (Art GoH), Steve Long (Gaming GoH) and Regina Kirby (Fan GoH). From a personal standpoint, I was very excited to see the return of Inside the StellarCon Studios. This was the fourth year that StellarCon has run the panel—after a two-year hiatus. It’s a fun and interesting format for the GoH presentations and it doesn’t hurt that I always get to host it.

Also on the plus side, it was clear that next year’s concom knew that there were problems. As early as Friday afternoon they were running around making plans for next year and assuring people that things would be better. Their first formal act was to book Todd McCaffrey as next year’s Author Guest of Honor.

 

Con Review: RavenCon 2010

ravencon2010by James R. Stratton

 

RavenCon 2010
April 9–11, 2010
Richmond, Virginia
http://www.ravencon.com/

RavenCon in Richmond is a new, up-and-coming SF&F convention that was first held in 2006. At that time they had a paid attendance of several hundred, but because of the excellent organization, and the personal touch the con can offer its members, RavenCon has prospered. I’ve attended RavenCon for the last three years, and have been a guest panelist for the last two. My experience probably typifies the general experience of the membership.

This year RavenCon was held in the Holiday Inn Koger Center in Richmond, a larger venue that was necessary because of the con’s growth. The con had multiple tracks running throughout the weekend, including programming tracks for filk, gaming, science, art, writer’s workshops and, of course, literature. The hotel itself is clean and well run, with a spacious convention area. My only complaint would be the restaurant service, which apparently was not told of the convention by the front desk, and was absolutely overwhelmed by the crowd. However, this is typical for many con hotels, especially when they are new to such events.

I arrived mid-day on Friday and checked in with a minimum of fuss. The hotel is located along a major commercial highway, with a number of malls and shops within minutes. I was able to get a haircut and pick up a few odds and ends I forgot in roughly an hour. At 5:00, I joined Danielle Ackley-McPhail and Bernie Mojzes for the launch party hosted by Dragon Moon Press for the new anthology Rum & Runestones we were all in, along with a number of the other authors. Several other books were featured as well, and the event was well attended as there was plenty of food and drink available. I understand sales of the new releases were brisk, so all were pleased with the results. I met up with some friends at the room parties afterwards, and had a late night.

Saturday was a busy day for me with five panels scheduled. At 9:00 I was part of a panel on the pros and cons of wanting to write and publish novels. This was an odd experience for me as the other panelists were the Guest of Honor Rachel Caine and established author Nancy Halger. So we had me (who is working on the publication of my first novel), Nancy (who has several out) and Rachel (who has 30+ novels published and 10 more under contract). It was quite a contrast. At 1:00 I was on a panel on whether you need an agent (opinions were mixed), at 2:00 “Don’t Give Up Your Day Job” (good advice for any new author), at 3:00 “How Not To Get Sued” (with myself and other lawyer/authors on the panel), and finally “Why Contribute To An Anthology” with major author/editors like Bud Sparhawk, Lee Martindale and Chuck Gannon. I did another round of room parties to top off the night.

Sunday was my slower easier day. I joined the AM koffee klatch with Valerie Griswold-Ford, the editor of Rum & Runestones for Dragon Moon, along with many of my fellow authors, for a chat with any and all who joined us. I sat in on some panels, and chatted with folks I hadn’t had a chance to catch up with earlier in the weekend, then headed home.

Probably the most important part of the weekend are the bits that would seem fleeting to most folks. I met an agent who now knows me by first name, I got invited to submit to a themed anthology I otherwise wouldn’t have known about, and I was asked to collaborate on a short story with an author friend who was stuck midway through a fantasy tale. None of this would have happened otherwise. Given the small and friendly atmosphere of RavenCon, this is what I have come to expect. It certainly is not something that would happen at any of the larger cons with thousands in attendance.

So if any of this interests you, please plan on attending next year, same weekend, same venue. You won’t regret your decision.

 

Book Review: Editorial

editorialby Michael D. Pederson

 

Editorial
by Arthur Graham
136 pp.

Yeah, no publisher listed. You know what that means… The dreaded self-published effort. With that in mind, I flipped open the book, planning to give it my courtesy 50-page trial before tossing it in the to-be-recycled pile. And yet…

I got drawn in.

It’s definitely not a book that everyone will relate to, but there are people out there that will appreciate it. Graham takes on big topics like sexuality, politics and religion but does so in a very non-linear, stream-of-conscious type of rambling. In that sense, it reads a lot like Naked Lunch-lite. Emphasis on “lite.” There’s no way that anyone writing in the style of William S. Burroughs could have the same impact today that he achieved fifty years ago. However, what Graham does achieve is still quirky, strange, witty and slightly obscene but enjoyable. There’s not much in the way of plot or a story arc, but Editorial does stick to consistent themes, frequently looping back on themselves like the Orobourous that Graham references throughout the story. And at a mere 136 pages it’s a good book to have at hand for your next rainy afternoon.

 

Book Review: Homeland

homelandby Michael D. Pederson

 

Homeland
by Michael Amos
Samhain Publishing, 220 pp.

Michael Amos’ Homeland ranks as one of the more interesting small-press offerings I’ve read so far this year. It’s a fun story that cleverly blends satire and science fiction adventure with a dry, witty British sensibility.

The story takes place in a massive, enclosed shopping mall somewhere in Iowa. Homeland is the paranoid (and possibly malfunctioning) AI computer system that’s responsible for monitoring mall security. When Security Officer Tracy Higgs wakes up in the medical center with no recent memories he has the following clues to work with: He has absolutely no memory of the mall, terrorist activity is at an all-time high, the mall is suffering from frequent brownouts that can’t be discussed (voicing distrust in Homeland is equal to terrorist activity), and nobody ever leaves the mall. Higgs ends up walking a tightrope—investigating Homeland while not raising her suspicions and having him executed as a terrorist.

The mall and Homeland embody a very British satirical view of America’s Patriot Act-era when security seemed to be more important than individual rights. I only wish that this viewpoint had been presented with a touch more humor (sorry, humour). Perhaps a little more Douglas Adams and a bit less Phillip K. Dick would have helped. Conversely, although more British humor would have helped, less British dialogue was also needed. Supposedly American characters using very English slang (“bloody,” “knackered,” “wanker”) disrupted my sense of belief in a couple of spots. But that’s just me picking nits.

There are a couple of intriguing twists near the end of the story that played out a lot better than I expected them to. In fact, I would like to see the author expand on some of those concepts in future novels.

 

Movie Review: Kick-Ass

kickassby Lucy Arnold

 

Taking Shit Seriously (or Taking Shit, Seriously)

In the vein of Watchmen and other “dark” superhero movies, Kick-Ass presents us with our very own flawed modern world and the flawed hero necessary to save it.

On the one hand, the movie is curiously engaging, particularly scenes including Nicolas Cage and Chloë Grace Moretz (who hands-down steals the movie). Hit Girl is an intriguing character, one who could have made the movie all on her own, challenging as she does audience preconceptions about superheroes, little girls, and violence. Simultaneously thrilling and disturbing as it is to watch her pump lead into the brains of various villains, Moretz is absolutely believable. As her equally disturbing father, Nic Cage is brilliant. And their relationship raises questions about parenting outside of crime fighting. To what extent do all parents raise their kids with requisite baggage, churning out new generations of dysfunctional psychoses? All within the context of love.

In the mirror relationship, Chris D’Amico (Christopher Mintz-Plasse) is desperate to engage in his father’s criminal business, even though Frank D’Amico (Mark Strong) is loathe to see his son’s potential. But compared to the understandable and compelling family bond portrayed by Moretz and Cage, this father-son drama falls flat. Far worse for the movie, the villainy exercised by the D’Amicos just doesn’t have that old-fashioned evil feeling. Neither fully businesslike or intensely scary, the bad guys were always doomed to fall at the hands of Hit Girl and Kick-Ass. Or maybe we’re just living out post-Dark Knight villain depression.

The heart and title of the movie is Kick-Ass (Aaron Johnson), though, it is with him that the movie ultimately fails for us.

Bad shit happens all the time. A lot of those times people are perfectly aware of said bad shit, and often they do nothing. Certainly there are those rare occasions when ordinary people stand up against the madness and say, “This far and no farther.” That’s real-life heroism. Then there are those fictional occasions when exceptional people stand up against the forces of darkness. That’s superheroism.

But in real life, if you decide to be a rogue superhero, what’s stopping any given person with a gun from shooting you? Which leads us to the real question: if you suck at being a superhero but you keep right on doing it anyway, you’re really just a crazy person, right? For just such an example, consider the Batman copycatters in Dark Knight… the lucky ones were tied up and sent to prison, the unlucky ones died horribly.

And that, in a nutshell, is Kick-Ass. He’s just a lame-ass kid with no assets or principles. He just wants to get a girl into bed. The stuff he does isn’t heroic. It’s dumb. And devastatingly, it’s not compelling to watch, just painful.

Here’s to Kick-Ass 2 being renamed Hit Girl.

 

View From Nowhere: Addictions

An alien perspective on the human race
by Peter Huston

 

The original intent of this column is to explore how humanity might appear to extraterrestrials, the ultimate outsiders. Honestly, there are times when I wonder if such beings would even perceive us as sentient. After all, it is a matter of debate as to just how much conscious control over their own actions humans hold. We are a species marked by a proneness to addictions.

When we speak of addictions, most people think of addictions to substances such as alcohol, tobacco, or any one of a number of legal and illegal drugs. Obsessive, out-of-control consumption of any of these can lead to great financial, social and health problems, a situation that clearly marks serious addictions. Such addictions are common to not just people everywhere but a surprising variety of animals. In parts of southeast Asia drunken elephant rampages can be a lifethreatening side effect of making rice wine should an elephant stumble across the buckets used to ferment the beverages. For a good introduction to the subject of intoxication in the wild, there are many good books, but one I enjoyed was Ronald Siegel’s Intoxication.

But addictions are not just to substances. Humans are also known for behavioral addictions.

To understand behavioral addictions, it’s important to understand the mechanisms behind them. Many of us humans are often in a great deal of pain and discomfort. For some this is physical discomfort but for others, their pain has a psychological cause. There can be many sources of this pain. Poor self image, low self esteem, unrealistic expectations that make one feel like you’ve never done what one should, there can be as many different causes for pain as there are suffering people. In some cases, a solution is simple, once people recognize which patterns of thought are causing them trouble. David D. Burns, a psychiatrist, wrote a book called Feeling Good that does a good job of teaching people to monitor their own thoughts and reduce such pain. Still in many cases, the problem is much more serious and difficult to correct.

People in pain, regardless of whether that pain is psychic or physical in origin, generally take actions to avoid feeling that pain. For instance, responses to pain could include pulling a hand away from a fire or hot stove or taking an aspirin. These are healthy responses.

Unhealthy reactions to pain, particularly psychic pain, include seeking out situations that are so intense that the person will not feel their own internally generated discomfort. Once a person has found such a state, a pain-free state caused by a situation where they cannot feel their own discomfort, they often wish to return to it and seek out similar situations. For this reason, intensely emotional situations can be literally addictive.

Recently, with high profile cases like Tiger Woods and David Duchovny, sex addiction has been in the news. Can a person be addicted to sex? To some extent the issue hinges on the definition used. (Definition of addiction, not the definition of sex.) If we start with a definition of addiction that hinges on a person’s willingness to seek out something while knowing full well that they shouldn’t and that they may cause themselves and others great social, financial and physical damage, then the answer is obviously yes. In fact, who among us has not risked some sort of social problem in an attempt to, if not exactly get sex, at least get a date?

And why, pray tell, is it that when the subject of dating comes up my mind immediately goes to such subjects as anger, crisis-seeking and large quantities of unnecessary drama? Setting aside what this says about my own tendencies towards seeking out unnecessary drama to spice up my life and distract me from my own personal problems, anger, crises and intense drama all can produce states where a person does not feel their own inner pain. Therefore, for some people, they can be more attractive than mundane, uninterrupted, everyday existence. And, thus, for some people, including a surprising number of my dates over the years, all these things can be addictive. (They may also have something to do with why I not only sought out such people, but why I also have been attracted to activities like ambulance work and for a couple seasons enjoyed the sledding sport of skeleton.)

And sometimes even after a person learns that a particular activity is not healthy, and they stop doing it, they find another, possibly equally unhealthy way to avoid pain. This is why the fields of addiction and recovery are sometimes so frustrating. A person shifts from one release to another. They quit smoking and then start taking solace in the pleasures of food, only to soon begin to overeat. Or they go from a life lived in pursuit of drugs to a life lived in pursuit of such things as the intense thrill of staking something they can’t afford to lose a bet. In Chuck Pahlaniuk’s novel Choke there’s a very funny scene where a character overcomes sex addiction and instead tries to keep busy through rock collecting only to eventually find his cabinets, his microwave and every other nook and cranny of his house stuffed with rocks. Ultimately he and a good friend get together and soon take all the rocks outside and build a wall with them.

It’s because of this shifting from one source of pain-relief to another that so much of the discussion in the addiction and recovery field often focuses on such things as “healing the inner child,” “getting in touch with your pain,” and other terminology that sounds quite strange or even silly to an outsider.

Still, the issue is real. Behaviors can be addictive. Need proof? Visit a friend whose collecting has grown out of bounds and who clearly has too much stuff. Yes, that warm fuzzy feeling of purchasing a desired item can often become an end in itself, quite separated from any need or desire to possess. And, it can reach unhealthy levels, and thereby qualify as an addiction. Credit card debt and excessive loans can be one more aspect of the problem.

The intent of this column is to give some thought as to how humanity might appear to space aliens. In this context it has always struck me as fascinating to see what a sentient species might make of our own species’ tendency towards unhealthy, undesirable, and self-destructive behaviors. Would they dismiss us out of hand as a race prone to slipping in and out of control and therefore dangerously erratic, unpredictable and impossible to deal with? Or are occasional lapses in rationality inevitable for a sentient species? Might they have their own irrational and self-destructive behaviors? And if so what form might these take? We can only imagine, but don’t think about it too hard. You might have trouble stopping.

It’s for this very reason that the fields of addiction and recovery are sometimes so frustrating.

 

The Gallery: S.C. Watson

 

I’ve been working with S.C. Watson for six years now. And I hadn’t realized until now how little I know about him until I sat down to write this blurb. I can tell you that his name is Shane and he’s amazingly talented, but that’s about it. Oh, and he’s frequently very very busy. He did his first piece of art for Nth Degree in April 2004, a black and white illustration for Johnny Eponymous’ story “Nutria.” Since then, S.C. has done three incredible cover illustrations for us, usually on pretty short notice.

I’ll just let his art speak for him.

 

The Moment

The Moment

Illustration by S.C. Watson

by Lawrence M. Schoen

 

Four tiny, cerulean lozenges winked in and out of phase for a moment, twinkling like silvery fish, sardines really, as they shimmied into position and formed the corners of a tetrahedron above the lunar surface. On cue, Cwaliheema—the highest rated archaeocaster across seventeen star clusters—flared into existence at the center of the pyramid, a lifeform that to human senses would have registered as a ball of golden light, a sense of longing for one’s first love, and the memory of comfort food gone bad. Cwaliheema rotated upon first one axis then another, and locked onto the object of her intention by whatever perceptual system her kind possessed.

Despite her appearance, when she addressed her audience the archaeocaster spoke in English. “Friends and lovers, this is an exclusive quantacast! I’m coming to you live via timeslow, and using authentic, reconstructed linguistic systems because this is a rare moment, my darlings. Mere pico-seconds have passed since my producer Gilly sacrificed his own consciousness to jury-rig the lockout mechanism to get me here. My location has been kept under interdict by forces that refused to acknowledge our queries, let alone be interviewed. Even stretching this instant as we are, there isn’t much time before those selfsame curmudgeons break through what remains of Gilly’s potential memories and bounce me, so pay attention while you can. I’m hovering mere sklues—pardon the slip, I meant to say “inches”—above the only surviving Mark! Yes, you know what I’m talking about, and why I’m doing so in a language whose speakers are long gone. How better to honor them? Below me is the sole remaining artifact of a once proud people who cast their entertainments into space for the benefit of us all. Burn and then freeze this image into your receptors, you’ll likely never get another chance. This is all we have, the last remnant of any of the Marks, and even this has been denied our experiencing until now. Experts disagree, speculation runs rampant, but it is this reporter’s opinion that we are experiencing Groucho. Note the depth of the indentations, the comical pattern of their relief. Night and Day, Opera and Races, this is not the work of Gummo. I know, I know, the silent vacuum of the locale begs the question for many, blatantly insisting that this Mark is Harpo, but I’m here and they’re not, and I’m telling you that I’m glocklerizing an undeniable sense of Groucho here.”

One of the sardine-like corners blackened, shriveled, and slurred. Another followed suit, and then a third. The blur of Cwaliheema lost cohesion and flickered out of existence as the curmudgeons in question shattered the last bits of unrealized recollections and secured the site once again, annihilating the archaeocaster in the process.

* * * * *

The generation ship of Krenn frantically dumped velocity as it splooched from the fuel-efficient but mind-numbing slowness of intramolecular phasetransit back into the normal time-space continuum, less than a cubit above the moon. The ship crashed into the middle of the heelprint. Its immaculate hull that had withstood the flailings of phasetransit for a quarter million years without so much as a ding, shattered itself against the unyielding bulk of a grain of lunar dust. Of the six thousand seventeen Krenn onboard at the time, a scant several hundred survived the crash. Nearly all of these recovered from their injuries and disembarked over the next month.

None of the first generation of Krenn had lived long enough to reach the site, though none had expected to. The very first Krenn had conceived of this journey in the distant past, dedicating his life and his posterity to the pilgrimage with an ever recycling population of clones. Like their clonefather, each was an optimized collection of smart matter no bigger than a speck. Hundreds of generations of Krenn had lived and died during the voyage, their remains enshrined into niches in the very walls of the vessel that now lay shattered at its destination.

The survivors flooded out upon the steppes of the heel, rejoicing despite the crushing weight that gravity forced upon them. They settled in, constructing mansions of haze and shadow, and waited for enlightenment to come. The mission and purpose of the first Krenn remained with each of them. This place had been the site of the greatest triumph of the greatest archaeocaster in all of history. Before the beginning of the quest, Krenn—the original Krenn—had felt drawn to it. He had cultivated the tales, sifted myth from coincidence, mastered the lost language of the interview-eschewing, spatial curmudgeons of the ancient dark times, and recreated the route through dimensional puzzles to this theoretical location. The odds of success had been so absurd not a single entelechy of Krenn’s crèche dared invest time or expense in the project. And yet, here they were, nearly three hundred unique individuals sharing the template of Krenn.

They waited. Enlightenment did not come. The Krenn diverged from one another, much more so than they had upon the voyage here. No longer held together by the dream of basking in the dead essence of a nigh mystical archaeocaster, they found little in common despite their shared Krenness. Over time, they disagreed. As the years passed, the disagreements became arguments. Soon after, arguments begat fights. Fights acquired weight and number and expanded into battles. By the time the Krenn population doubled—for the cloning had continued after landfall—their homesteads had spread beyond the heel and across the sole. Some few hearty adventurers had dared to venture beyond the cliff heights at the toes’ edge, but none had returned with any tales of what lay beyond. Nor would they.

The battles turned into war, a vast conflagration of violence, Krenn against Krenn, that defied all sense, and did not end until every last speck had been slaughtered. In its final moment, perhaps the last of the Krenn found an ironic enlightenment in the situation. Perhaps not.

* * * * *

After the better part of another half million years, Seela, heir apparent to the Vegetable Worlds that were all that remained of the folly of short-lived, meat-based intelligence in that part of space, came to the moon and the end of another sort of quest. He—using a very loose definition of the gender—resembled a ten-meter stalk of articulated broccoli. After a moment’s glance, he ignored the imprint before him. It did not occur to him to wonder how it had survived for so long when the rest of the barren surface lay pitted and random. Nor did he know anything of the pilgrimage of the Krenn, save that the minuscule and sentient specks had indeed ended their existence upon this barren worldlet, the last spheroid that species had settled. Ages earlier, several of Seela’s closest florets had confirmed the details. They had rummaged through that race’s long dead worlds, part scavenger hunt part morbid feast, as they had cracked open every last reliquary and steamed random memories from the shriveled remains of trillions of specks. After consuming their fill, they had flash-frozen themselves and returned to the royal court. Once they had thawed and quickened, still bloated on alien thoughts, they stumbled before their prince. Seela had delighted in their accounts, and then snipped their stems and sucked up the disturbing memories second hand. Cannibalism, though infrequent, was a tradition among the royal lines of the Vegetable Worlds, and one must suppose that the hangers-on that orbited Seela, fawning upon his buds and proclaiming his fractals, had to have known the risks. After draining the last of his stunned nearest and dearest, he found himself still cognitively peckish. No matter. The morsels he’d consumed provided the knowledge to track down the tiny lost colonies that had quit their world of origin and never looked back.

Seela sought them, the relatively large and the disappointingly small. None of the colonies still survived, but the dreams and imaginings of their tiny lives lingered in the desiccated flesh of each speck. One by one, Seela sucked them dry, gorging palate and mind, and in this way, he arrived at the moon, and the last of the lostlings. He gathered up some from the dusty surface, while others had to be carefully peeled out of tombs built into the walls of a quaint vessel scarcely the size of a mote. He steamed them open, restoring their nigh microscopic minds to the fullness of episodic memory, then slurped their petty feuds and pointless arguments. Despite the tastiness of their thoughts, Seela failed to comprehend the lingering history of purpose that had brought them hither.

The ingestion of dead thoughts from this last remnant of the species disagreed with Seela. He experienced an allergic reaction to the concentration of Krenn. The resulting indigestion proved terminal. With barely a realization of his own demise, Seela wilted and passed from this plane of existence, ending his family’s line, and indirectly dooming the Vegetable worlds that would have been his domain. In the years that followed, without the guidance of an undisputed ruler, they fell into anarchy brought about by revolutionary molds and rebel fungi, and passed into history.

* * * * *

A peer review chorus from the Trindle Journal of Medical Profundities convened to hold forth on a particularly truculent cantata by a novice gastroforensiologist. In itself this failed to impress—truculence being a common feature of digestive music, particularly among the newly initiated—but this specific alimentarian had sung the ironies of the scion of vegetable royalty succumbing to a fatal ingestion of long dead mnemonic ephemerals during a period of obscure history. The combination of extremes, while the very heartbeat of irony, required investigation. It wouldn’t be the first time some junior coloratura tried to pull a fast one in pursuit of a publication in the most prestigious journal to which a Trind could aspire.

The remains of the royal victim had presumably long since been retrieved by its vegetable kin, succumbed to the passage of time, or otherwise vanished from this place, but that was as the review choir expected. And yet they’d been drawn to the scene, seeking a lingering vibration of the original atopic syndrome, as the novice gastroforensiologist had evoked in his article and composition.

The choir gathered in loose formation around the footprint. Though they failed to recognize what it was, they intuited some significance to the location in relation to the cantata, the vegetable prince, and the primitive dots of memory it had consumed. They communed, allowing both the music and the medical narrative to take shape among them. Astonishingly, the combination sustained the gastroforensiologist’s arguments. The irony rang out, cruel in its finality, leaving a diagnosis that suggested an expensive course of treatment, one which would prove pointless but might lead to future papers, promotion, and even grants in support of pure research. With one voice, the choir burst into a spontaneous motet of adoration, acknowledging their privilege to have reviewed such artistry, and sending a unanimous approval of the article to the editor of the journal.

Having discharged their duty, the chorus abandoned its unity, retreating to the anonymity of the disparate identity of its membership of Trindle physicians, medical researchers, and choral directors. After they vanished, a few lingering notes of the novice’s composition clung to the edges of the footprint, like blue photons enmeshed in the syrup of a solar wind, but only for an instant, and then these too faded.

* * * * *

A library protocol, the sort of officious and untiring bit of code that kept the great machine at the heart of the galaxy from winding down, had been seeking the mysterious and inspiring mark referenced in a footnote from a member of the peer review that had signed off on the piece of antigen consequence art that sparked a revolution among aesthetes for several million years. Like most algorithms, this particular library protocol had eschewed heuristics that might have allowed it to eliminate ninety percent of the false loci reported as containing the desired mark, preferring to investigate each one, chugging along strings of folded vacuum, exhausting sufficient conceptual fuel to power the dreaming of at least three medium stars. Library protocols are dogmatically thorough that way.

It had reassembled the academic lineage of each member of the review chorus and evaluated their descendants’ genetic dispositions, musical tendencies, and medical proclivities. Beginning at the galactic core, it had proceeded through its list of loci in an ever-widening spiral, rejecting locus after locus, until at last arriving at a cold and airless moon orbiting a lifeless world. Here it found some seventy-seven points of corroboration, fifty-three more than the next best locus. It immediately sent a signal back to the great machine with a single message glyph: Success!

After each of its previous stops the library protocol had been free to move on, squirting a glyph core-ward to update the great machine of its status. Now, having achieved its goal, it had no choice but to settle in and wait. In time the great machine would respond with new directives. Perhaps, now that the lost locus had been found, a renaissance of research would result and scholars and music lovers would swarm to this obscure place. Perhaps an academic institute would be established in the name of the Trind artist, though a quick review of library systems revealed not a single citation of that worthy in the past six hundred thousand years. In fact, even among historical synthesists, interest in antigen consequence art had faded from academic interest since the protocol had begun its quest. Barely a terabyte of new journal articles had been generated on even tangential topics.

Caught up in the frenzy of its quest, the library protocol had failed to keep current with the relevant literature. Only now, as it waited amidst the dust did it begin to explore—via judicious use of quantum-level info-squirts—the new directions of information that had entered the galaxy’s libraries in lieu of the field that had defined its purpose.

Many regimes of servitors of the great machine had come and gone in the time the library protocol had been about its business. Organic, inorganic, phantasmal, even conceptual support staff had cycled from probation through retirement, caring for the vast records complex of the great machine. It was unlikely any individual among them had the slightest awareness of the trillions of library protocols that had been released on their specific missions throughout the galaxy, let alone this one in particular. It was only when a protocol accomplished its task and reported in that anyone might become aware, and be dazzled at the outcome and the influx of long-sought knowledge. Or not.

A terse two-glyph message, “budget exceeded,” was the only reply from the great machine. To even a simple creation as the library protocol it spoke volumes. There would be no renaissance, no institute. The entire area of research had long since been discredited and forgotten. New budget priorities dictated new agenda, and these did not include the expense of revamping a far-off protocol. The reply, witnessed in passing by some unknown servitor of the great machine, decommissioned the library protocol and snuffed out its algorithms, leaving only a momentary flicker of recursive data that had once been self-aware.

* * * * *

A paradigm shift of planetary consciousnesses brought on a terrible backlash of fiduciary compliance inquiries that not even the galaxy’s most gargantuan—let alone those that were merely great—machines could survive unscathed. Cometary particulates were harvested, imbued with low animal cunning and accounting skills, and unleashed upon the trails of flagrant misuse of data funds. The process was slow, even by civil service standards.

By the time the auditing particulates reached Luna, the galaxy had lost any recollection of any record of any individual that had ever known that the former great machine of the galaxy had permitted an investigation. The trail itself would have been lost to even the most ardent of temporal sniffers had the obscurity of its location not caused it to stand out, the only data point flagged for possible fraud or abuse in a dully average arm of the galaxy.

Like most audits, this one took far longer than required, yielded nothing of interest, and had been completely unnecessary. And yet… the particulates remained. They attempted to resurrect the pathetic strands of pseudo consciousness that had been a wastefully expensive library protocol, but failed. That caused no surprise, though there were signs that the thing had lingered, maintaining some fragment of existence far beyond its specifications, though how or why could not be discerned.

This portion of the galactic audit completed, these particulates should have discorporated, per standard procedure. Instead they rejoined their brethren, the tale of their mundane audit becoming a bit of lore among their kind that perseverated as a regulatory fable passed from generation to generation, unremarkable yet nonetheless somehow compelling.

* * * * *

A coterie of proto-godlings transitioned into reality at the site, their manifestations as ephemeral as ghosts, constantly shifting through the archetypal forms of past sapients of the galaxy. A tutor accompanied them, a docent to service their yearning for insight and understanding to better guide them in their impending deocracy. She took a form of an ever-cycling rain of liquid hydrogen, speaking to her pupils in a language that used the position and speed and orientation and shape of droplets as you might use sound and pitch and the shape of your lips to form words. Her very existence was an unending discussion conveying many simultaneous topics, all interwoven in complexities of time and meaning beyond human understanding but well within the grasp of the young beings in her charge.

“What do you sense here?” she rained, a portion of herself beginning a new line of conversation. “Tell me why I have brought you to this place.”

Though each could ignite stars or bring entire eco-systems into existence, the proto-godlings had long since learned not to answer in haste. After a decade, one of the younger and most precocious said, “Something happened here.”

The cascade of hydrogen contracted, casting the equivalent of a withering gaze upon her students. “Something is always happening, everywhere, at every instant. If nothing is happening, that very absence is significant, and thus may be considered as happening.”

“No, no, that’s not what I meant,” said the proto-godling, its appearance flickering at greater speed through a range of lifeforms, each more distraught than the one before it. “Something happened here that made a difference—I know, everything makes a difference, somehow, to something—but this mattered to the galaxy. This was a Moment.”

“Good. We have studied Moments. What can you tell me of this one?”

“It is like the Face of Netteya,” said a second student. “Though it has long since been destroyed, its locus fills all who occupy that place with a sense of peace. All sapience is drawn to it, and those who encounter it go to war to claim it.”

“It is nothing like that,” said the precocious one. “It’s… different?”

“Are you asking me or telling me?”

“I… I’m telling you. It’s not like the other Moments you’ve shown us. The significance of this locus is unlabeled and not apparent. But it impinges upon the mind even so.”

“Exactly,” said the tutor. As one the proto-godlings sighed with relief. “Unlabeled Moments are rare, and this is one of the oldest of them. Intelligent beings find themselves pulled here. The fabric of the galaxy causes this to happen, but does not explain itself. Not knowing the real reason, they look around and latch onto whatever explanation seems plausible. They routinely err in their theories, reifying their mistakes, and leaving them for others to build upon. Open your perceptions to this place, sort through the stories and confusions. Who can tell me when this Moment really began, and why?”

A century passed, and then another. The proto-godlings conferred, and as a group thrust their youngest member forward with an answer.

“The mark on the surface,” he said. “A physical being stood there, long ago.”

“That’s right,” said their tutor. “And the galaxy has chosen to preserve that imprint. But why? Of all the races that have grown to sapience and entered space, why is this one significant?”

The proto-godlings conferred again. They allocated resources among themselves, exploring the intervening ages an instant at a time. Such was their power that they relived the communications, the delusions, the misperceptions of every sapient mind that had occupied this locus back to the very beginning of the Moment. They concluded nothing and once again pushed the youngest forward.

“I don’t know,” he said, trembling in anticipation of the tutor’s wrath.

“And you cannot inherit this galaxy until you do,” she said. “Now pay close attention.

“When the galaxy was young, an intelligent species evolved on one of this solar system’s planets. They developed the means to leave their world. This standing place that you have identified, is where they paused. Who they were, whatever else they accomplished is lost to us.”

The youngest, the most precocious of them, manifested an image that might have been a child of the species that had first stood here. “Tutor, I do not understand. There are other lost species. Many others left their worlds before another species came to them first. What is so special about this one that it caused a Moment to occur?”

“They believed themselves alone in the universe, and yet set forth to prove themselves wrong,” she said. “They turned away from everything they knew, to experience what they could not know. This Moment is not because they stood here.”

“What then?”

“When one takes a step, it is possible to step back. In fact, it is a common occurrence.” She paused to draw their attention. “That’s not what happened here.”

The proto-godlings peered at the footprint, tunneling past the perceptions and experiences of all the other beings that the Moment had drawn to this locus.

“I still do not understand, Tutor. Why then is this a Moment?”

With a sprinkling of light rain the tutor gathered her charges around her, smiling through the hydrogen of her words.

“This is where they jumped off.”

 

Originally published in Footprints, edited by Jay Lake and Eric T. Reynolds, from Hadley Rille Books.