by Michael D. Pederson
by Chuck Wendig
Harper Voyager, 329 pp.
Genetically engineered ants are out for blood in Chuck Wendig’s latest thriller, Invasive.
When a body is found in an isolated cabin, stripped of its skin and surrounded by dead ants, FBI consultant Hannah Stander is called in to investigate. The investigation leads her to the Hawaiian laboratory of a billionaire inventor/philanthropist. And then all hell breaks loose.
Who in the lab is responsible for creating the killer ants? What’s their motivation? And can Hannah stop them before the ants are released on the world? It’s a plot that unfolds like a standard Crichton novel (only without the “science is evil” overtones) and reads very much like Jurassic Park with very tiny dinosaurs. The body count is pretty high and a lot of it’s rather gory, the more sensitive readers may find this somewhat disturbing, horror fans will love it though.
As exciting as killer ants are (I grew up in the seventies so I have a soft spot in my heart for stories about killer bugs run amok) the real attraction of the novel is Hannah. Raised by survivalist parents, with a backstory that’s left her scarred and fearful of life, Hannah has a background that makes her capable of dealing with harsh situations and a psychological depth that makes her interesting to get to know. I tore through this novel quickly and seriously hope that it’s just the first of many in a series of Hannah Stander novels.
by Michael D. Pederson
Amazon Video recently rolled out the pilot episode of it’s latest incarnation of Ben Edlund’s The Tick. As part of their pilot season, they debut three separate shows and let the audience response decide which one will be picked up. I’ve followed the Tick through all of his incarnations—comic, cartoon, and live action sitcom—and, so far, I think that this one could be the best version yet. I say “could” because I’ve only seen the one episode so far, and even though it was missing some key elements (particularly the fellow heroes that the Tick frequently interacts with, who they might be depends on which of the three sources they pull from) the basics were all there and the pilot left me craving a full season binge.
Let’s talk about the elephant in the room. No, Peter Serafinowicz isn’t a big, burly mancake that looks just like the cartoon version of the Tick. He’s no Patrick Warburton, but damned if he isn’t the Tick. Watching him casually stroll into danger you believe that he’s nigh invulnerable in a way that you never did with Warburton’s Tick. Serafinowicz’s performance channels the goofy confidence of Townsend Coleman’s animated delivery by way of an ultra-upbeat Adam West. It’s nothing short of perfection. Where Warburton brought a charmingly naive innocence to the role, Serafinowicz reminds us that the Tick is mentally deranged (but in a good way).
The pilot episode (bookended by opening and closing narration by the Tick) is primarily an origin story for Arthur. Yes, he gets a requisite tragic back story but it’s served up in a way that manages to be both poignant and mocking of over-the-top cliches at the same time. Since his origin event, Arthur has spent the past twenty years obsessing over the Terror, a criminal mastermind that everyone believes to be dead. Arthur believes otherwise and has a Wall to prove it. We get a brief flashback scene of the Terror in Arthur’s origin story that whets your appetite for more. As played by Jackie Earle Haley (Watchmen), the Terror is both comical and terrifying and it’s this tightrope balance of silly and serious that makes the episode work so well. Edlund clearly learned a thing or two about camp while writing for Gotham. In The Tick, he’s created a serious world, populated by real people that just happens to have some very weird characters in it. And it works.
Making Arthur the POV character rather than just a sidekick makes the show a lot more approachable to the average viewer than some of its past incarnations. Whenever Serafinowicz is on screen though, the screen just explodes. Exuding a contagious enthusiasm while bellowing catchphrases and pontificating about destiny, Serafinowicz makes you believe that he’s an animation come to life.
If you want more (and I sure do) you’ll need to go to Amazon Video and fill out their survey.
by Michael D. Pederson
by Blake Crouch
Crown Publishers, 340 pp.
As science fiction continues to become more and more mainstream, I predict that we’ll start to see more novels like Dark Matter. From the author of Wayward Pines (Blake Crouch), Dark Matter is one-hundred percent pure science fiction, but written in a very approachable, mainstream fashion. It’s also being marketed as a “Thriller” instead of as an “SF” novel. And I’m fine with that. Because it’s good. Really good.
Crouch’s main character, Jason Dessen, has a good life; he’s a physics professor in Chicago with a loving wife and a teenage son. Jason and his wife both gave up promising careers (he in experimental physics and she as an artist) to raise their son, and they’re happy with their choices and happy with each other but they still sometimes wonder “what if?”. When Jason is abducted one night and shanghaied to an alternate universe (like I said, pure science fiction) he has that question answered for him. Most of the first third of the book is Jason coming to terms with his abduction and the remaining two-thirds cover his attempts to return home to his family. Halfway through Jason’s quest through the multiverse, Crouch writes an important character out of the story—they just wander off and are never heard from again—and I wish we could have had a better resolution for her story line, rather than just using her to merely advance Jason’s story, but that’s my only grievance. All of the characters are well drawn and the plot can’t help but suck you in.
More important though, Crouch addresses the questions raised by the existence of a multiverse: What is home and how do you define “self” in a sea of possible alternate homes and alternate selves? Never settling for the option of “close enough” we see over and over again how our hero becomes his own worst enemy, frequently in frighteningly literal examples. It’s a fast-paced story that has a thrilling twist in the final act that works brilliantly and has a very cinematic feel to it. Highly recommended.